Today I found out that my new synthesizer is somehow related to aliens. It goes like this: The new synth is a reconstruction of an old machine named Odyssey, by a company called Arp. That company is long gone, but back in the seventies it was one of the biggest, most famous synth manufacturers. So big that an anonymous film director, let’s call him Spielberg, chose its big synthesizer as the music instrument to play the alien tune in that low budget film, Close Encounters of the Third Kind. Since the synth was a big machine, Arp sent to the movie set, along it, a technician to take care of its installation. That technician, one Philip Dodds, got immediately cast as the synth player in the movie, and can be seen in the alien spaceship communication scene, which is one of my all time favourites. I found all this in Wikipedia. And here’s the scene:
Having learned this, I couldn’t stop myself from Sweding (see “Be Kind, Rewind”) the scene, using my new, reconstructed synth. So there:
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